Civilian or Adventurer:
Adventurer
DNDbeyond Account Name [If Applicable]:
Stormbringer918
Primary D&D Race:
Tiefling
Campaign Special Race [Feat Required]:
N/A
D&D Background [Adventurer]:
Outlander
[Adventurer] Class Path:
Monk
[Civilian] Job Path:
N/A
Appearance:
Fair Green Skin, white freckles around the face with large white horns, a burn scar down her left eye reaching to her chin. Slick city clothing with very little jewelry. Lots of muscle that she likes to show.
Public Character Knowledge:
She is a very secluded woman, likes to keep to herself. While she is open for conversation, don't expect it to be a full one or even get her full attention.
Serene Isasha learned early that attention was dangerous.
She grew up beneath stone and iron in the Haven, where the town pressed in close and privacy was something you made rather than found. In places like that, being noticed meant being remembered. And being remembered often came with consequences.
Her skin bears the hue of old leaves after rain. A nice and fair green, dusted with pale white freckles across her cheeks and nose, like ash that never quite washed away. Two large milky white horns curl back from her brow, smooth and unadorned. She has never seen a reason to decorate them. Standing out was rarely a choice, and never a benefit.
That lesson is written plainly across her face. A burn scar cuts down the left side, passing through her eye and trailing to her chin. It is old, clean-edged, and never explained unless directly asked. Even then, she offers little. An accident in the lower halls, a fire meant to spread fear more than warmth. She survived because someone needed her hands steady more than they needed her unscarred. She does not resent the mark for it reminds her how quickly chaos moves through crowded places, and how little warning it gives.
Perhaps because of that, nothing about her is left to chance.
Her clothing is practical and unmistakably urban: slick fabrics, fitted for movement, built for narrow streets and sudden turns. Jewelry is sparse to nonexistent. Anything that can make noise is unnecessary. Her build, however, is anything but hidden. Serene is slim with lean muscle and controlled strength, and she makes no effort to disguise it. Power, when honest, does not need modesty.
That belief was shaped, and sharpened, by those who trained her.
She was taken in by a small monastic order that believed mercy was not softness, but precision. A wound could be closed. A life could be ended cleanly. Both were acts of care when done without cruelty. Serene learned anatomy before scripture, and pressure points before prayers. Her hands became steady long before her voice ever did, and steadiness was what the world asked of her most.
She keeps to herself now, as she always has. Serene is not unfriendly; she will answer when spoken to, listen where it matters, but conversation rarely holds her fully. Her attention drifts, always cataloging exits, injuries, breath patterns. People often finish speaking unsure whether she heard everything or only what was important.
She did.
Some people test her patience rather than her principles. Skrit is one of them.
Serene knows Skrit from the streets and lower halls, where music echoes louder than anything else. His noise grates against her quiet, but she respects his persistence and his refusal to let the dark stay silent. She has patched him up more than once, sometimes without asking how he got hurt. Sometimes she leaves before the song finishes.
Jacob Ironhart unsettles her in a different way.
His “Noble Harts” are loud, earnest, and dangerously idealistic. Serene respects his intent, if not his structure. Jacob believes protection is about standing between danger and the innocent. Serene believes it is about knowing when not to stand at all.
They coexist. Watchful. Unresolved. Disliked.
Serene Isasha walks lightly and speaks softly. She does not seek leadership, praise, or belonging. She is present when needed, gone when not. Those who know her well understand: if Serene is paying full attention to you, something is already wrong.
And if she lays her hands on you, it means she has already decided what mercy looks like.